EXPERIENCE_______________________________

Experience

Narrative Lead | Wee Tattie Studios | Remote/Volunteer | December 2025 – Present

• Lead narrative team in the creation of game documentation, dialogue, lore, and character arcs
• Coordinate with Creative Director, Producers, and Department Leads top produce milestone and timeline documentation to edit scope and meet deadline
• Create narrative templates tailored to the needs of each department to enhance clarity, collaboration, and pipeline efficiency
• Create character voice and bio sheets to align narrative team to the creative voice of the studio
• Create narrative outline for the full story including A plot, B plot, puzzles, faction motives, character motives, and ending to align both the narrative team and the studio to the creative vision of the game
• Collaborated with marketing and all design departments on developmental ideation and design work for a narrative-focused ARG

Narrative Lead | New Age Mythos | Remote/Volunteer | July 2025 – Present

• Creating narratively charged and story-relevant promotional materials
• Optimize narrative documentation including story bibles, scripts, character breakdowns, by consolidating notes into templates for accessibility, organization, and ease of navigation
• Create scripts, characters, plot arcs, and character profiles for collaboration with other departments and game implementation
• Utilized branching narrative to create diverse moral choices as the core of our roleplaying game mechanics with a focus on morally grey options to increase player agency.
• Build project management workflows to ensure materials are completed by deadlines and that narrative continuity is consistent across writing team
• Used the Hero’s Journey and Jungian archetypes as the foundation of plot design and character design, developing templates with these systems to increase the efficiency of design work within the narrative team
• Conduct historical research of classic literature, theology, and mythology for adaptation into narrative world

Narrative Designer | Wee Tattie Studios | Remote/Volunteer | August 2025 – December 2025

• Researched folkloric creatures for narrative implementation, utilizing their historical themes, powers, and stories to fill narrative plot holes, connect with game mechanics, and add greater conflict and stakes to the narrative without altering previously constructed narrative materials, game mechanics, or game assets
• Seamlessly integrated narrative into preexisting puzzles through voice lines, barks, and environmental storytelling to meld story and gameplay
• Used non-linear storytelling to design the narrative as a puzzle to uncover the mystery and truth of the story. This married story with mechanics and elevated the core game loop of the puzzle game with narrative elements to piece together as a reward for completing puzzles
• Within three weeks, utilized an owner mindset and constant communication with various teams to reshape unfinished and unusable narrative and mechanic materials into a clear narrative and design vision that kept to the game’s core themes and design goals. Through this result-oriented and hands-on approach, puzzles and materials were restructured with a clearer flow of play and more defined narrative and mechanical payoff for the conclusion of the demo to increase player investment
• Worked across time zones with a diverse remote team, aligning my cross-team communication schedule to connect with the working hours of oversea team members. Kept open, clear and consistent communication with team members and kept and shared extensive meeting notes to share with team members whose time zone prevented them from attending certain meetings
• Designed narrative and collaborated with feature and level design team with player/user interests in mind with a focus on rewarding player curiosity and exploration to reinforce the mystery and puzzle elements that are the core of our design
• Collaborated with feature, level design, and coding teams to inject narrative into their designs with minimal disruption to their work. Regularly held meetings with feature and level design members to iron out logical holes and designed narrative and mechanical solutions that invited player interaction, provided narrative meaning to the puzzles, and increased immersion in the game world
• Collaborated with marketing team to produce narrative dev logs to promote the game

Creative Director | Indie Tabletop Project | Remote | February 2023 – Present

• Lead narrative design and development for Comedy Horror Escape Room RPG that is currently in stealth mode
• Manage team of two artists through full development cycle from prototyping to pre-production
• Created 25+ character biographies and 100+ dialogue lines for a role-playing guide
• Conducted playtests at a national game developers conference for three consecutive years, implementing feedback from various play testers and industry professionals

Narrative Designer | Game Design Skills | Remote | February 2025-May 2025

Created the core materials of a dark fantasy narrative project over a thirteen-week course, crafting game design documents for team collaboration and game implementation including:

• Branching dialogue and barks
• Character design docs
• Location design docs
• Voice-over scripts
• Storyboard creation
• World-building documentation

Co-Writer and Presenter | Off the Page Literary Festival | Sarasota, FL | September 2023-November 2023

Co-wrote and designed a writing course on creating compelling villains for a local library as part of the Off the Page Literary Festival.

Coordinated and managed meetings with a team of writing professionals. Designed interactive educational workshop materials for course attendees.

Evaluated the work of workshop attendees and gave actionable feedback.

Contract Tabletop Designer | Index | Ringling College of Art and Design |Sarasota, FL | January 2020–May 2020

Worked in a small team of two writers to bring the client’s board game concept into development. Created mechanics and prototypes for the board game and worked through several rounds of feedback from the client and industry professionals for refinement. Delivered an engaging and refined prototype for the client to bring to its next stage of development.

PROJECT MANAGEMENT_______________________________

Creative Business Management | Ringling College | Sarasota, FL | August 2022 – December 2022

Led a team in a non-profit fundraising project for Nate’s Honor Animal Rescue to create pet enrichment toys with recycled materials. Managed meetings, created promotional materials, gave project demonstrations, and ensured deadlines were met. Ran outreach for the project to gather community support.

Established an interview to promote the project on local news stations, which was canceled due to hurricane evacuation. Even with this setback, exceeded project’s financial goal by 148% and doubled the number of pet enrichment products.

PUBLICATIONS_______________________________

Faulkner, Logan. “Luminaries.” Context, Spring Issue, 2024

Faulkner, Logan. “Boots and Best Sellers.” Issue #4 Shift literary magazine, 2023

RELEVANT COURSES_______________________________

Senior Capstone | Ringling College | Sarasota FL | August 2023 – May 2024

Ideated, pitched, created, and revised an 80,000 word historical fantasy novel on the life of college age Edgar Allan Poe and his fictional life as a sorcerer in a land of nightmares inspired by Poe’s mythos and writings. Gave in-depth and constructive feedback to nine peers working on various genres in prose, screenplays, and video games.

Writing for Tabletop | Ringling College | Sarasota FL | January 2023 – May 2023

Learned the fundamentals of tabletop design in card games, board games, live-action roleplay events, and roleplaying games. Created three separate games, bringing each through ideation, prototyping, and two rounds of playtesting and mechanical revision within a month each. Brought my strongest game to the Anyone’s Game conference to run playtests and receive feedback from industry professionals. 

Writing for Shared Worlds | Ringling College | Sarasota FL | August 2022 – December 2022

Learned the fundamentals of creating and working from a collective IP set in a subterranean post-apocalyptic world, ranging from the creation of in-depth location descriptions, character bios and dialogue, items and technologies of interest, and the curation of a Story Bible alongside a class of 20 students to create connected stories that maintained continuity across prose, TV scripts, comics, Twine games, designs for a theme park and scripts for stage shows. Worked with writers, illustrators, animators, game artists and entertainment designers to share expertise and bring the IP’s mutant underground to life.

Writing for Video Games| Ringling College | Sarasota FL | August 2022 – December 2022

Learned the fundamentals of creating interactive dialogue, characters, environmental storytelling, and branching narratives for video games. Created narrative design pitches and documents for video games. Learned the basics of creating branching narratives in Twine2.

RELEVANT ACHIEVEMENTS_______________________________

Camporee Youth Leader, Occoneechee Council, Durham, NC, May 2017-May 2019

Planned, organized, and ran the annual district Camporee for the Occoneechee Council of the Boy Scouts of America. Through the implementation of themed events, monthly communication, community outreach and engagement,

increased participation by over 400% to 400 regional attendees over three years. Trained and transitioned the next Scout youth leader to continue growth and momentum. Became the only youth to receive the lifetime Junior Womack Award for distinguished service to the community